Showing posts with label FE Burman. Show all posts
Showing posts with label FE Burman. Show all posts

Saturday 3 April 2021

Jobs from the past - Number 137

Regular followers of this blog will know that my first post of every month is a "job from the past" so that I can show some of the really good projects from years gone by and here's one from 2012.

The Wallpaper*Architects Directory 2012

Truly international, consistently intelligent and hugely influential, Wallpaper* is the world's most important design and style magazine. This piece of literature was produced to accompany an exhibition showing 20 architects from around the world. The exhibition was sponsored by Land Securities.

The finished size is 99x210mm which folds in half and then concertina folds out to an A1 size (420x594mm). Printed offset litho in CMYK throughout.

Front...
Click on images to enlarge
Reverse...
The designer on the project was Claudine Cockburn and as it happens, I still have her original brief, which is as follows: "I am working on a little catalogue project for an up and coming exhibition we are hosting in a few weeks time. The exhibition features architecture works from our directory which have been stitched by Peter Crawley onto thick slightly off white textured paper. The catalogue is actually going to be an A2 poster which will fold out and be given out at the exhibition. We will need around 700 posters. I wondered firstly, with our design we would like a little show through on the paper but ideally a little texture too" You can see the excellence of the commissioned artwork (both sides) in the below image...
My suggestion was possibly a rather unusual one, it was our Modigliani Candido 95gsm, from Gruppo Cordenons. It's really rather hard to demonstrate on a job like this, just how perfectly the material works with the artwork, it is simply superb. The underlying texture from the original artwork, which is scanned and printed has reproduced perfectly and you get the texture in the feel, through your fingers. 
Just to demonstrate, I have taken an image of the texture of the Modigliani, which is a feltmarked paper here...
Anyway, this is one small project that I'm particularly pleased about my involvement with - looks (and feels) as good today as it did nine years ago.

So where is everyone now...? Designer on the project was Claudine Cockburn, who is now a Senior Designer at D8 in Glasgow. Art Director was Sarah Douglas. Since 2012, she was appointed creative director and in 2017 she became Editor in Chief of Wallpaper*. Printing was by FE Burman, with Paul Regan looking after the project. Burman's is one of the last printers based in central London and has recently invested in the latest HP Indigo B2 press and Paul is the Sales Director.

Posted by Justin Hobson 03.04.2021

Thursday 11 December 2014

THOMASTAIT SS15

This is the invitation to the Thomas Tait preview show for his Spring|Summer 2015 collection held in London this September. This is his first show since last year, when he won the inaugural LVMH Prize for Young Fashion Designers. Thomas Tait is originally from Montreal but now lives and works in London and graduated from the Central Saint Martins Womenswear MA course four years ago.

For his new show, he has collaborated with Paris based visual artist Georges Rousse, who uses derelict buildings as his medium and paints on walls. Working with the artist, Thomas Tait has transformed his show into a living art space and this is reflected in this beautifully produced invitation.
The invitation itself is actually a 12pp loose bound (no binding) production. Size is 270 x 180mm and is printed on our Omnia 200gsm ...and it looks and feels just beautiful. It perfectly shows the images of the derelict spaces - lots of detail and excellent reproduction and great solids - no patchiness or mottle. It is totally in sympathy with the rough concrete interiors - tactile and engaging.
Centre spread.
The images above and below show how it is unbound and how well it works - it holds together beautifully ...and that is because it is the correct choice of weight of material - Omnia is very bulky and 200gsm works perfectly. If it were on the 280 or 320gsm it would be far too 'clunky' and would not hold itself together as a single piece of literature.
Below image showing the outside back cover where the event details are printed on the solid yellow.
You can read more about the event and collection here:

Field Projects, a London based studio, is responsible for the superb art direction and design. Creative Director on the project is Tom Watt. Unfortunately I don't know who the photographer is because they also deserve a credit!

Print production is by FE Burman, who are based is south London and they have made an excellent job printing on the Omnia.

Posted by Justin Hobson 11.12.2014