Showing posts with label Park Lane Press. Show all posts
Showing posts with label Park Lane Press. Show all posts

Thursday 23 August 2018

Beyond the Great Wave #2

Katsushika Hokusai (1760–1849) is widely regarded as one of Japan’s most famous and influential artists. He produced works of astonishing quality right up until his death at the age of 90. This new exhibition held last Summer at the British Museum covers the period of the last 30 years of Hokusai’s life – a time when he produced some of his most memorable masterpieces. The exhibition was a phenomenal success resulting in most tickets being sold out.

This is one of the private view invitations produced for the launch of the exhibition last May. The invitation is 8pp, A5 portrait and feature Hokusai’s artwork.
This invitation is printed on our Omnia 320gsm, which is a very bulky board with a subtle, natural texture and tactile surface. Reproduction is superb with the all the detail retained in the images. 
The images as reproduced on each of the invitations:

Click on images to enlarge
Below show the invitations laid out flat, front and back
Click on images to enlarge
Below is a birds eye view of the invitation:
Design is by the in-house team at the British Museum, headed by Ann Lumley.

The invitation is printed by Park Lane Press. It is printed offset litho but Park Lane print using a 'waterless' process that eliminates the water or dampening system used in conventional printing. The specialist plates allow the printed dot to be held more securely preventing any unwanted movement of ink and minimising dot gain to create a sharper image in ultra fine definition. They are one of the very few printers who champion the use of this waterless process.
 
Posted by Justin Hobson 23.08.2018

Friday 20 July 2018

Hiut Denim Co.

The Hiut Denim Company is based in Cardigan in Wales. Established in 2012 by David and Clare Hieatt, they only make jeans, that's it and it's going pretty well, having recently been in the news that Meghan Markle has been sporting a pair!
 
This is a poster printed on our wonderfully lightweight Offenbach Bible 60gsm. The size of the poster is 700x450mm and as you can see, the image of the pair of jeans looks amazing.
Below image shows the superb reproduction of the image.
Click on images to enlarge
The poster is printed offset litho on our Offenbach Bible 60gsm ...and it looks and feels absolutely gorgeous - it flops and folds in a delightful way when handling the poster as I hope you can see on the image below.
Art direction and design is by Nick Hand, based in Bristol at The Department of Small Works

Printing is by Park Lane Press who are based in Corsham, Wiltshire. They print offset litho but Park Lane Press print using a 'waterless' process that eliminates the water or dampening system used in conventional printing. The specialist plates allow the printed dot to be held more securely preventing any unwanted movement of ink and minimising dot gain to create a sharper image in ultra fine definition and this project is a perfect example. They are one of the very few printers who champion the use of this waterless process.

Thanks to Chris Pattemore for sending me copies and his kind note.
Click on images to enlarge
https://hiutdenim.co.uk/
http://www.departmentofsmallworks.co.uk/
https://parklanepress.co.uk/
Posted by Justin Hobson 20.07.2018

Thursday 14 September 2017

Beyond the Great Wave

Katsushika Hokusai (1760–1849) is widely regarded as one of Japan’s most famous and influential artists. He produced works of astonishing quality right up until his death at the age of 90. This new exhibition held this Summer at the British Museum covers the period of the last 30 years of Hokusai’s life – a time when he produced some of his most memorable masterpieces. The exhibition was a phenomenal success resulting in most tickets being sold out.

These are the private view invitations produced for the launch of the exhibition in May. The two invitations are both 8pp, A5 portrait and feature Hokusai’s artwork.

This invitation is printed on our Omnia 320gsm, which is a very bulky board with a subtle, natural texture and tactile surface. Reproduction is superb with the all the detail retained in the images. 
The images as reproduced on each of the invitations:

Click on images to enlarge
Below show the invitations laid out flat, front and back
Click on images to enlarge
Below is a birds eye view of the invitation:
One thing that I must point out here is just how amazing the black solid on Omnia looks - a real dense, even black solid - nice and even.
Design is by the in-house team at the British Museum, headed by Ann Lumley.

The invitation is printed by Park Lane Press. It is printed offset litho but Park Lane print using a 'waterless' process that eliminates the water or dampening system used in conventional printing. The specialist plates allow the printed dot to be held more securely preventing any unwanted movement of ink and minimising dot gain to create a sharper image in ultra fine definition. They are one of the very few printers who champion the use of this waterless process.

Posted by Justin Hobson 14.09.2017

Tuesday 12 August 2014

Glassboat

The Glassboat restaurant is permanently berthed on the floating harbour in the heart of Bristol affording spectacular views of the city and harbourside. The Glassboat has a unique interior carefully restored to make the most of the original polished wooden decks, sculptured oak and portholes. The Head chef is Charlie Hurrell. This brochure is specifically for "private hire" clients who may wish to book one of the four different spaces on board.

Size is 270x210mm (a nicely 'squared off' A4 derivative), portrait format. It is an 8pp self cover and is saddle stitched.
It is produced on our Omnia White 200gsm (throughout as it is a 'self-cover'). It is a beautifully simple and functional piece of literature. The exquisite photography works brilliantly with the uncoated finish and tactile mattness of the Omnia.
Nice even solid, out of CMYK, looks superb - flat and even.
Design is by Peloton in Bristol. Creative directors are Karen Bird and Peter Thompson. The excellent print is by Park Lane Press, who are based in Corsham, Wiltshire.

...and an additional thanks to Peloton designer Stacey Martin who kindly lugged up the file copies to London on the train from Bristol for me.

http://www.glassboat.co.uk/
www.pelotondesign.co.uk
www.parklanepress.co.uk
Posted by Justin Hobson 12.08.2014