Tuesday 16 February 2010

Mantisworld Ethical T Shirts

Now to many of you this might look like a normal saddle stitched lookbook, but as with most of the projects I work on there's a bit more to it!

Astroman (a design company based in London) wanted a "tactile" material that had more of an uncoated feel but that wouldn't let down the brightness of the colours. The factory that makes these clothes is in the shadow of Mount Kilimanjaro in Africa and they use 100% certified organic cotton and are a pioneer in ethical manufacturing. The reproduction of the vivid African colours was an important part of the brief. Importantly this catalogue is mailed out internationally, so postal weight was an overidding consideration.

The eventual choice of materials combined the tactile Omnia as a cover but only in 200gsm (which is very bulky) with our lightweight Marazion Ultra in 90gsm which might sound very light but it works extremely well and also means that an extra saving could be made because it could be saddle stitched as opposed to perfect bound.

Here are some spreads:
The job is 4pp cover with a 72pp text and the size is 200x260mm and for your interest, the job weighed just over 200grams which kept it well within the desired postage band.
Print was by Principal Colour.
Designed by Astroman. Creative Director on the project was Doug Hurcombe. Designer on the project was Katerina Karamallaki and thank you for the lovely note...

Friday 12 February 2010

Holmes Wood is 10!

Last night I was invited to the Holmes Wood tenth birthday party and book launch at Ransome's Dock in Battersea.
What a great party! Lots of people were there that they had worked with over the last ten years. Clients, suppliers, friends and family made up the really lovely mix of people that I met. Founders Lucy Holmes and Alex Wood have established a serious company with a great reputation and a fantastic body of work but also managed to keep a real sense of fun (... for example, see their lovely aprons on this blog!)

The book called "First Ten" is a comprehensive record of their work for large clients large and small. Superbly written by David Gibbs with much of the photography by the prolific Phil Sayer. Although the material (Heaven 42) wasn't from Fenner Paper, I can easily forgive that oversight as the material is perfect for the job!

The book is pictured below with the now world famous red bag (see their website and you'll see what I mean).
Above are some spreads from the book although it hardly gives you a good idea of the quality of the publication! It has been beautifully printed by Gavin Martin.

Below are some of my truly awful pictures from the party but it gives you a flavour of the evening...















Thank you for a lovely evening






Thursday 11 February 2010

Proud to use Colorset!

Proud Creative are a design company based in London who have just refreshed their identity using our Colorset 100% recycled paper range. As you can see from the pics, a really clean identity, nice crisp foiling and a lovely range of colours!


Design by James Greenfield at Proud Creative. The cards were produced by Generation Press.

Tuesday 9 February 2010

Newsletter with a history

This is the new publication for internal communication at the Historic Royal Palaces. It has been designed in a newspaper format but not as a broadsheet which is sometimes difficult to handle, so it is an unusual but easy to handle size of 430x280mm. It is only 12pp and loose bound, so it is concertina'd into thirds which makes it much easier to distribute.
It is printed on our Redeem 100% Recycled 100gsm which adds to the "newspaper" like feel but as you can see from the centre spread below which shows the "scientific" work of the "Royal ceremonial dress collection" the paper doesn't disapoint!
Although this publication is a small run of less than 1000 and produced entirely for internal distribution, it is an excellent example of well designed and thoughtfully produced literature working really well to engage the audience.

Design is by Steve Burgess
Print is by BKT Print management.

Monday 8 February 2010

Digital just gets better and better!

This is a brochure produced for a conference hosted by the Prince's Foundation. It is A4 format and saddle stitched. It looks and feels great and yet the run was only 200 copies!

The job was printed on an Indigo digital press by Good News Press and the print result is fantastic. It is printed on our Omnia (FSC) 4pp cover on 150gsm and 20pp text on 120gsm.

Although Omnia was not developed for digital, it has been "sapphire treated" by the printer. This treatment is often applied to more unusual papers and provides a "key" so that the inks (which are different to litho inks) work on the paper surface.
As you can see from the spread below, the result is awesome!
Design is by Valerie Kildea at The Prince's Foundation and thank you for the lovely note.
Val kindly sent me a copy of the new Typographic Circle mgazine called Circular Sixteen and even though the paper was sponsored by another paper merchant (...based in Hull, guess who?), here's some pics, as it's very nice piece of work! There are articles about Lippa Pearce, Spin, Design Project to name but a few.

Have a look at www.typocircle.co.uk and join and get your own copy!


Thursday 4 February 2010

Midas Press goes bankrupt!

OK, get ready for a rant!

It turns out that Midas Press effectively “went bust” last week and yes, that means we (at Fenner Paper) like many other suppliers, won’t get our outstanding invoices paid and we are thousands of pounds out of pocket. Unfortunately that is one of the many risks of being in business.

Sadly this is an all too common occurrence in the printing industry but what really gets people upset is when the printer involved simply tells their customers (which will be many of you reading this blog) that they have "re-branded" or had a "management buy-out". What they will fail to mention is that they have shafted their creditors and literally walked away from their debts. This act in itself is unfair, but then life isn't fair - what is completely unjust is that they can just carry on trading as Midas Press (now PLC) with their customers (you) being completely oblivious as to what has happened.

So just to be clear, MIDAS PRESS HAS GONE BUST, but they are still taking on jobs and trading as Midas Press!
Please THINK AGAIN before supporting this type of phoenix company. How can you trust people who do things like this? According to the Printweek blog, apparently Midas Press have taken Paperlinx (the group who owns Robert Horne, Paperco and Howard Smith) for over £400,000!

If any of you want to see the kind of vitriol that goes with this type of appalling behaviour, have a look at the following links, especially the comments on the Printweek site!

...end of rant

Monday 1 February 2010

Jobs from the Past - Number 5

Regular followers will know that my first post of every month is a "job from the past" (see posts on 01.10.2009, 01.11.2009 & 01.12.2009 etc etc.) so that I can show some of the memorable jobs from times past, and here's one from back in 2007.

At this Rate - awareness campaign
This job is for the Rainforest Action Network. The purpose of the publication is to highlight the scale of the destruction of the world's rainforests. Design is by Studio8, Matt Willey and Zoƫ Bather were designers on the project. The amazing photography is by Giles Revell.

The size of the job is 220mm x160mm portrait and is best described as an 8pp cover with a 24pp text. The text is actually formed by a long concertina (with one join) and the 8pp cover, which has a 10mm capacity spine actually works as a "dustjacket". It was constructed like this for reasons of both economy and ecology! The whole job actually comes out of one B1 sheet of paper meaning that it was relatively economical from a printing point of view and it was also not wasteful which is in line with the clients aims and objectives.

The book forms a series of spreads which really show off the stunning photography and make the spreads very powerful. Below is "Every day we lose an area larger than all five boroughs of New York City" It is quite simply a stunning job both from the concept, design, photography, format, printing and finishing. It deservedly won 2008 DesignWeek award for Editorial Design. Thumbnail of the entire job is below:

The photography was printed as a Tritone with a high density black ink. The repro and superb print is by Granite. The material choice is Neptune Unique FSC 200gsm which not only printed fantastically but was also the environmental choice by having Forestry Stewardship Council certification.

I do still have a few copies available so if you would like one, send me an e-mail and I'll see what I can do!
http://www.ran.org/
http://www.studio8design.co.uk/
http://www.gilesrevell.com/
http://www.granitecolour.com/